Showing posts with label blah. Show all posts
Showing posts with label blah. Show all posts

Wednesday, 26 March 2025

Picking Up The Load.

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I felt utterly exhausted and headachy when I got home today.
I saw the light was looking interesting, and managed to drag myself out to shoot this, but then completely crashed out when I got back home.
This week is proving to be a real slog.

I'm wondering whether requesting a sabbatical would be a good idea, as I've been having increasingly frequent episodes of frustration and near-burnout for quite a while now, and this might be a way to reset things without chucking everything in completely.
The question that naturally follows is what I might be able to focus on during such a sabbatical. There are a couple of work-related projects I'd like to do more focused work on - one in particular, but there might also be scope to do something more serious with my photography.
Suggestions on a postcard...

Tuesday, 31 December 2024

My 2024 favourites - Vertical shots

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This is a separate post because I'm cross-posting to Instagram, which still doesn't support mixed aspect ratio photos in a single post for some bizarre reason!
Full size photos after the jump.

My 2024 favourites - October to December

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Of the 366 days, I posted backup photos on 61 occasions - roughly one in six posts on average.
The frequency of backup posts was variable, but trended upwards through the year.
October and November were the worst months, with 11 backups each, which coincides with me having a particularly bad time at work.

Fixer-Upper.
I fixed two slightly unhappy lenses this year.
Firstly, my EF 70-200mm f/2.8 L IS, which had developed a weird fault years ago, not long after being repaired following a rather ignominious fall from a bit of staging, which broke it almost in half. The fault caused the lens to fail to focus at focal lengths around 135mm, and also caused the image stabiliser to jump as you zoomed through the same point. The fault turned out to be a slightly damaged sliding contact, which was easily corrected, and has restored the lens to perfect health.
The second repair escapade was on my EF-M 22mm, which had developed a very dodgy manual focus ring. I pulled the lens apart and found that the glue that holds the external ring to the encoder had failed, so a bit of glue was called into service, and that one's back in working order too.

Shopping.
I bought quite a lot of new toys this year, which I've mostly enjoyed.
This started out with the Sigma 150-600mm and matching 1.4x teleconverter. It's not an especially sharp lens, and the image stabiliser is a bit odd, but it does deliver acceptable results if you treat it right, and it is relatively cheap for the focal length.
In February, I finally went full-frame with the 6D Mark II, something I'd wanted to do for years. This was a great buy, and it's a lovely camera to use. I really like the built in GPS, which geotags your photos automatically at source.
In terms of glass, I picked up a few lenses on the used market, which I've been very pleased with - the EF24-105mm f/4L IS, which is a good general purpose lens on full frame; the very special purpose MP-E65mm f/2.8 Macro lens, the EF100mm f/2.8 L IS, and the EF85mm f/1.2.
Getting the MP-E65mm Macro lens pushed me towards focus stacking, which led to me buying the WeMacro automatic focus rail, which is very helpful.
After doing more stacked macro work, I found myself needing a more appropriate flash setup, so I bought four Godox MF12 macro flashes to go with the Xpro wireless trigger system, which I'd bought early in the year. This system has proved to be very useful, nice to work with, and reliable so far.

I bought a Manfrotto MK055CXPRO4BHQR tripod with an XPRO ball head, which has proved to be something of a disappointment.
It's really no smaller, lighter, or stiffer than my old 055 classic aluminium tripod, and the fourth leg section is too thin and annoyingly light, so it doesn't extend or retract under its own weight. The only real benefit I've found is that it isn't as cold to the touch as an aluminium one.
The XPRO tilting column is occasionally useful, but I've used it far less than I imagined when I bought it, and having no easy height adjustment in the horizontal mode is not great. I've also been pinched by the leg locks more times than I care to remember!
I wish I'd bought the 3-section version instead, with no head - The XPRO ball head is really poor, especially when the column is horizontal, and I quickly stopped using it in favour of my old 486RC2 head.
I'm rather tempted to ditch this tripod and look for something that suits me better.

My latest acquisition is a used EOS R5. I'm enjoying it so far - it's a step up in resolution and general performance, and the mirrorless system seems to work well. The only minor downsides I've found so far are the lack of inbuilt GPS, which feels like a retrograde move compared with the 6D II, and the shorter battery life, which I was expecting - a live video system clearly requires significantly more power than a mirror!

Full size photos after the jump. 

My 2024 favourites - July to September

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My most used camera was my EOS 6D Mark II, coming in at 72% of the shots.
The M6 Mark II came in at 9%, with the 80D at 7%, the Sony RX10V at 6% - a couple of other cameras made up the balance.
No real surprises there, I bought the 6D II in mid-February, and it was my main camera thereafter, although I used the M6 II when I wanted more resolution and/or the smaller sensor for its teleconverter effect (or both in several cases!).

My most used lens was the EF70-200 f/2.8 L IS, at 32%. Absolutely no surprise there, I love this lens.
I combined the numbers for the Sigma 105mm f/2.8 Macro and the EF100mm f/2.8 L IS Macro, because they were used for essentially the same type of work. They came in at 18%.
The EF24-105mm f/4 L IS came in at 12%, the Sigma 150-600mm at 7%, and the EF50mm f/2.5 Compact Macro at 5%.
All of my other lenses came out at least once, but I'm not going to inflict every last statistic on you!
Full size photos after the jump.

My 2024 favourites - April to June

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I took roughly 20,000 shots (according to the camera's shutter count and a bit of informed guesswork), and kept about 6000 that I thought were worth editing.
The busiest month was May, with 819 photos added to the library, and the quietest was November, at 263.

I've found that I much prefer editing in Lightroom over Canon's DPP software. Lightroom is much more powerful in terms of its editing tools, and is substantially faster to export. It also has lens correction profiles for 3rd party lenses, which DPP does not.
DPP wins massively on initial sorting for the Canon cameras' files though - its Quick Check tool is a lot faster at parsing files for an initial cull, and it's very easy to zoom in to 100% to check details.

I've settled on a combined approach now, where I download everything from the cards onto the computer, and make an initial culling pass or two with DPP, marking files I want to keep or delete.
Once I'm happy with the final selection of keepers, I import only those files into Lightroom and make my edits there.
Unless I'm missing something in Lightroom, this is a much faster and more comfortable technique than fighting with the lightroom import window (which I find rather clunky, and where I inevitably press escape by mistake, then lose all my progress!).
This approach even works, (with some adaptations) for the files from the drone and Sony RX100V. These cameras only shoot RAW+JPEG, which I was initially irritated by, but I've now realised that DPP can read the JPEGs, which I can cull, and then it's relatively easy to use those files to cull through the RAWs, before finally deleting the JPEGs and taking the selected RAWs into Lightroom.
Full size photos after the jump.

My 2024 favourites - January to March

I'm really quite proud of having kept this project going all year.

It's been hard at times, but on the whole, it feels like it's been a bit easier than last time I completed a daily photoblog, back in 2009 (and definitely easier than my failed attempt in 2011!).
The next few posts will be a few of my favourites - one set from each quarter of the year, plus a set of portrait-orientation shots, (this is just because I'm cross-posting to Instagram, which still doesn't support mixed aspect ratio photos in a single post for some bizarre reason!)
I'm going to add some thoughts and silly little stats - Some of this will be geeky, so consider yourself warned!
Full size photos after the jump.

Wednesday, 1 May 2024

One Third

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One hundred and twenty-two days.
Yes, it's an unconventional way of measuring the year, but I am something of a non-conformist, and I feel like it - so I'm going with thirds.
Also being a leap year, it divides nicely into three.

So, some stats.
47.5% of the photos were taken with the 6D Mk II, with the 80D coming in at 26%, the M6 Mk II at 22%, and the rest being the drone, phone, and Sony RX100V.
My most used lens was my Sigma 105mm f/2.8 Macro, followed by the 70-200 f/2.8. All the other lenses were under 10% each.
I posted 9 backup images (where I didn't shoot anything, or anything good enough or publicly shareable on the day), meaning that over 92% of days so far this year, I've managed to take at least one photo that I'm happy enough with to share on a public platform.

Some days have been tough, but on the whole, I'm enjoying this project so far.

Thursday, 21 March 2024

Inverted Understanding

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This post originally had a long spiel, but I'm told by a normal human being that this isn't the place.
Fine. Here's a self portrait where I'm exploring what is perceived versus what is experienced.

We see things through our own lens, and there are things in others' situations that we do not understand, even when we think we do.

Monday, 17 January 2011

Oops...

Apologies if you're reading via RSS, I didn't mean to flood your system with blank posts!
The button on my mouse seems to have gone wonky; I think the contacts are bouncing rather badly, so it sometimes sends multiple clicks when I try to single click something.
I feel a fit of soldering iron rage coming on, assuming I can find a replacement switch.

If you've no idea what I'm rambling on about, you clearly weren't affected by my hyperactive mouse issue ;)

Tuesday, 11 January 2011

11-01-11: Mega Macro 1



This picture is uncropped, and the LED shown is 5mm (about 3/16") across!

I've finally got my act together and assembled what I'm calling my "mega macro rig"

It's made from a set of Kopil bellows that were designed to fit some kind of screw mount camera, a Canon EOS T mount, a Canon FD 10mm extension ring, and an FD 50mm f/3.5 macro lens.
The bellows and lens were given to me with the closure of some old darkrooms where I used to work, and I already had the T mount. The FD extension ring was the only bit I bought (I got a set of 3 off ebay to scavenge the bayonet from at least one)

The T mount doesn't properly fit the bellows, but the threads engage for a couple of turns and the whole thing seems pretty secure. I glued the FD mount to the front standard of the bellows so I can use any FD lens I want.
If I've done the maths right (by no means guaranteed ;)), I can achieve a maximum magnification of 3.6:1 with the 50mm lens.
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Saturday, 1 January 2011

2010 - Well, that worked...

...Or not...

2010 wasn't a particularly brilliant year for me, creatively or generally.
It started off with a lot of changes and hassle at work, being moved from my office, studio and control room, into a basement in the IT building.
At the time I half-jokingly said to my colleagues "give it 6 months, and we'll be redundant"; life may imitate art, evidently it listens to snarky comments too.
We got our marching orders in late July, and I left in early September.

What with the hassle hanging over me in the early part of the year, and the lack of work since September, I've not been in much of a mood to shoot a lot, so the camera got a bit of a light year. Hopefully 2011 will be better.
I'm going to try and do the 365 again this year, to get me out of the rut.

Being off hasn't been all bad though; as well as trying my hand at winemaking and a few other bits and pieces, it has given me a chance to build a website, something I've been wanting to do for some time. You can see it here if you're interested: http://www.ben-s.co.uk



To 2011!

Thursday, 7 January 2010

2010

I'm planning to do something a little less intensive this year, a photo a week instead of one every day.

I've also been working quite hard on a new project, an automatic weather station. I've wanted one for years, and I finally got one late in December.
The station itself was very simple to set up, but I wanted to make it a bit more than just a simple station, displaying current data on it's LCD, so I've built a webserver so I can put the data online - mainly for my own entertainment, but if you're interested, you can see the live data from it here: http://ben-s.blogdns.org/wx

Expect to see the first instalment of my 52 weeks project soon.

Friday, 20 November 2009

On the go-slow again...

Sorry Folks, I've got behind again.
EDIT: 26-11-09: Catching up slowly... I'll try to get up to date in the next couple of days.

Friday, 30 October 2009

30-10-09: Clumber Street


Clumber Street in Nottingham is reputedly one of the busiest shopping streets in Europe, but it's looking fairly sedate here at just after 9am; later in the day it's usually packed.

The 35mm f/2 on APS-C digital is near enough equivalent to a 50mm on full frame (It's actually 56mm equivalent, but it feels about right) I was finding the 50mm was a little bit tight, but I enjoy shooting with a prime, so I went for the 35 to supplement the 50.

So far, it seems to handle quite nicely, and it's pretty sharp.
The only minor gripe I can level at it is the lack of a full-time manual focus ring; you have to switch the lens into manual to manually focus it. I never had an problem with this style of focusing on my old 50mm f/1.8, so I'm sure I'll get used to it again. It's just a niggle after you've been spoilt with USM lenses that have full time manual.
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Monday, 31 August 2009

31-08-09: Bale/Cheat/Explaination/Rant


Today's picture is a still from some video I shot earlier. No, it's not still photography as such, but I've been shooting loads of video over the last few days, so I've run out of new real photos. :(

[rant]
We've had a bit of an oddity at work, with a particular job requiring full HD, when we don't have any HD cameras.
Natural solution - Buy one. Answer: The management don't know an f/stop from a tripod, and decide to buy the cheapest camera they can get away with. Which is a handycam. Granted, it's quite a good handycam, a Panasonic HVX-200, but still, it's all fly-by wire with electronic focus and iris rings. Which I don't appreciate.
So, they place their order, only to discover it won't be delivered for several weeks: We need the camera in 3 days' time. Solution: Hire a camera to tide us over; simple. Or not. Without consulting anyone who knows what the camera needs to do, they hired a JVC GY-HD200. Which doesn't shoot full HD. Oops...
It's now my job, (having never worked with HD before) to mash the slightly odd 720P HDV video from the JVC with a lot of other (still to be shot, but 1080P) material from the Panasonic when we get it... Fun.
[/rant]

This is one of my tests to get used to the camera before going on the actual shoot.

(It's worth adding that the actual shoot went very smoothly, and the material looks pretty good, format issues aside)


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Tuesday, 30 June 2009

30-06-09: Foamy Weir


The weir and lock entrance at Gunthorpe.
So, why shoot RAW on the GR digital if it's so much slower than using JPEG?
Laying aside the quality and control issue, curiously it's actually quite a good thing to be slowed down.
I'm used to using relatively fast cameras; my 40D does around 6 FPS, as does my EOS 1N. My 30D does 5. The G9 manages about 1.5 sec/frame in RAW - it could be considered slow, but it's still fast enough to take 3 of 4 pictures in a few seconds before something moves.

When shooting RAW on the GRD, before I press the shutter, I think whether the settings are right, whether the framing is good etc, because I know the camera's out for 10-15 secs after I press that button: You just can't use it like a machine gun, which it's tempting to do with a fast camera.
The GR isn't the thing to be shooting portraits or fast stuff with by it's nature; it's 28mm equivalent lens would give a fishbowl effect to portraits and it's simply not long enough for most animals or sports, so it's being a bit on the slow side really doesn't matter.
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Monday, 29 June 2009

29-06-09: Awaking Town


Nottingham waking up, taken just after 7AM.
I've just dug my previous carry-round camera out again, the Ricoh GR digital. I'd forgotten just how nice it was to use. It's a real photographer's camera, designed to just work.
It's also a lot smaller than my G9, so it's less hassle to carry on these hot days.
Previously, I shot in JPEG with it, because it's quite slow in RAW. I managed to speed it up a little by changing some settings, but it's still a slow camera in RAW. I'm sticking with RAW because of the extra control available, and another reason I'll expand on tomorrow...
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Excuses, excuses...

Sorry for the backlog again, I should get things up to date in the next day or so :)

Sunday, 3 May 2009

03-05-09: Silver Birch Infrared

It's infrared time of the year again... This one is a digital one to get me warmed up, but I've got a small stock of the (now sadly discontinued) Kodak HIE film waiting for the right conditions.
I normally use a Hoya R72 filter for infrared work, but they are expensive in larger sizes, so I only have a 58mm one; the 17-40 lens used here is 77mm.
When I went on the last APUG ILFORD tour, ILFORD kindly gave out a large mounted gelatin filter along with a roll of their own reintroduced infrared SFX200 film.
The filter is in Cokin P mount, which I have holders and a 77mm ring for, so the filter fits the 17-40 fine.

I've not used the SFX film yet, but that will be getting a good work out too this summer - reports from others suggest it works well though, so I'm looking forward to it.

This shot is blurry from the long exposure needed with the heavy filter - 8 seconds at f/8. I'm quite pleased with it though; I think the blurryness adds to the mystery of the infrared.
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Thursday, 30 April 2009

30-04-09: 3D Films

I had to photograph a demo of 3D projection today - with a 2D camera...
It was actually a very interesting event, and they let me try the system out too - it's a million miles from the old red/green anaglyph projection.
This system doesn't make you feel twisted or disoriented when you take the glasses off, which is a real plus over the old systems.

Photographically speaking, this job was a little tricky, as exposures were silly-slow, even at ISO 1600, f/1.4, right in front of the screen.
This one is the brightest of the lot, as I managed to sync my finger on the shutter to a series of explosions in the film.
Some wide shots were called for too, but my 17-40 maxes out at f/4, so the exposures were in the 1/15th to 1/4 sec range most of the time with that lens.
It was a similar story in the projection room, 1/6th @f/4 with people in the shot.
The wide angle helped a little bit, masking the blur to (just about) acceptable levels. The extra brightness of the 50mm would have helped, but the angle was just too narrow to be useful in that small area.
All in all, a fun, albeit challenging day.
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